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  • Fri, 17 Feb 2017 22:12:33 +0000

    X100F Touch and Try

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    Wow what a great six days ! 124,000 steps around some amazing cities with the amazing Fujifilm X100F.

    We Started in Leeds and ended in Liverpool. We went to Dale Photographic, Calumet, Wilkinsons,Cambrian and LCE. We carried 8 X100F bodies and a small team from Fujifilm UK Richard, Pete and the amazing John Dallas.

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    We ran three walks a day with three groups of up to 8 people on each session over six days and covered some serious miles.

    The feedback on the X100F has been very positive and that has reflected  in the amazing amount of Pre Orders.

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    Most of the guys that came on the walks loved the X100F and think its a good move to sell their X100 X100S of X100T’s to move up to the Fourth Generation camera. Just incase you did not know the F in X100F stands for Fourth. A few of the guys were undecided about the X100F but were very interested in the X-T20 or the X-T2 one of the guys was desperate for the GFX50S.

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    There were a quite a few of the guys that did not like the placing of the Q button and the fact you could knock the joystick. This was mentioned by quite a few of the Fujifilm X Photographers when the camera was out on evaluation.  We will feed back the Q button issue to Fujifilm and hope they can make the change on the next version. The Q button can be locked by pressing and holding the Menu OK button but this will lock all the function buttons.  Some of the guys did not like the fact the joystick would rub against their clothing and get moved, however the Joystick can be turned off by pressing and holding it down for more than 3 sec.

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    Its been a long six days and I am worn out now and need a nice break so will be hiding out in my camper van this weekend somewhere quiet. One thing that always amazes me about the Fujifilm family is what an amazing group of people you Fujifilm users are, so friendly and positive about the brand.

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    Thanks for the great company over the last week all you lucky winners and I hope you enjoy your x100F when it is released on the 23rd of February. Thanks for traveling from as far as Oban and Birmingham to spend a couple of hours with the X100F in the North West and North Wales and making  the last six days so much fun. You know who you are and thanks…..

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  • Tue, 07 Feb 2017 14:56:05 +0000

    February Already !

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    I can’t believe its February already ! Not even sure where January went.

    It’s been a busy month and it’s all a bit of a blur. I can remember doing my first two Street Photography Workshops for Calumet UK in London and Birmingham, I loved both of these workshops and cant wait to visit the rest of the Calumet stores this year and deliver the same workshop. It’s a slightly different format from my own workshops and each branch of Calumet is a great base to start from. The only Street Photography workshops I am going to do for myself this year will be the Liverpool ones, the rest will be with Calumet UK in 2017. You can see a complete list here Calumet Street Workshops.

    I also recorded a Black and White editing video in January that should be out sometime this month to purchase. We have set the price to half the price of attending my Black and White editing workshop as I have stopped my Black and White workshops this year because I will be concentrating on my colour project.

    My Colour project has taken a back seat in January and the only image I have shot is the one on this page ! Just goes to show even a professional photographer does not always have the time to get out and shoot for himself.

    I had an amazing trip to Glencoe with the Fujiholics  and hope to do a lot more collaboration workshops in the future. Fujiholics takes up quite a chunk of my time and was quite a juggling act last year.   Hopefully going forward we should bring some great walks and workshops to everyone.

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    When I got home from Glencoe I had my first delivery of Custom Flash Drives from USB Memory Direct delivered. I have to say they provide a great service and the printing is just how we wanted it. You can have a look for yourselves USB Memory Direct  so many choices.

    I thought I would get a rest in January and February but I have never been so busy. I am just about to take over from Kevin Mullins and go on a short road trip around the North West and Wales with the Fujifilm X100F and Fujifilm UK taking the lucky winners of the Fujifilm X100F ‘touch and try’ competition out into whatever the British weather throws at us to show the winners how I use this amazing new addition to the Fujifilm X Series. I can’t wait to show the winners what an amazing little upgrade this is. I will be going to Dale Photographic, Calumet Manchester, LCE Manchester, Cambrian Photography and Wilkinson camera over the next six days and cant wait to catch up with the Fujifilm UK Team and the lucky winners.

    When I get back from my little trip with Fujifilm I will be off to Venice with Paul Sanders to teach a Landscape and Street Workshop. There are still a few places left so grab a space whilst the euro still has some value. Venice Trip

    Once back from Venice it won’t be long before I am at The Photography Show in Birmingham. I will be on the Fujifilm Stand most days and in the Behind the Lens Theater on the last day of the show, so make sure you get your tickets, here is a discount code to save you a few pounds SPKTPS17 if you book online.

    It’s a very busy year and if you want to book on any of the Fujiholics workshops or my own workshops or Photowalks here are the links.

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    Look forward to seeing you all at some point this year…


  • Thu, 19 Jan 2017 06:00:14 +0000

    X100F

    Well it’s here !  The X100F is finally announced and that means I can talk about it at last. One of the downsides to camera testing is shooting lots of images over a few months with a pre production X100F but not being able to share the image with the world. It’s like being tied up and gagged but not quite as dramatic.

    The X100 was the Fujifilm X Series camera that started me off on this amazing Fujifilm journey and the X100T has been in my pocket ever since it came out. Now we have the X100F and this camera has earned itself a place in my pocket too,  I might need to get bigger pockets. Fujifilm launched the first X100 in 2011 with the APSC sensor and Hybrid Viewfinder that could be switched between optical and electronic. In February 2013 the second-generation model the X100S was released with the newly-developed Sensor and image processing engine. Then in September 2014 the Fujifilm X100T was launched with the world’s first electronic rangefinder function.

    The fourth-generation X100F features the latest image sensor and high-speed image processing engine to deliver the highest level of image quality. The X100F features the 24.3MP X-Trans CMOS III APS-C sensor with no low-pass filter. This sensor and processor are designed to deliver outstanding colour reproduction and graduation of tones, high ISO sensitivity and low noise.

    2017-01-17-14-28-32X100T V X100F
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    2017-01-17-14-30-37X100T V X100F
    2017-01-17-14-31-01X100T V X100FI am not going to tire you with the technical side of the new X100F, I am just going to share a few images I have made with this stunning little camera over the last few months and share one of the new features I like and have been asking for for a while. For a more technical review you can check out my good friend Kevin Mullins Review.

    The images should speak for themselves and over the last three months this camera has been through some serious weather extremes and not missed a beat however, it is not weather sealed. This little camera was in Glencoe with me on the last Fujiholics trip and was in my hands at -16.  I got the X100F back in November just as the winter light was at its gloomiest so most of these images are shot at quite high ISO and I love the way this camera has performed for me. Here is a short video. The joystick is a welcome extra and so easy to flick the focus point to where you want it without looking. I find setting to the 91 focus points makes this process so much quicker as it adds less and you move across the screen so much faster. I just count to 3, to move the focus point to the left or right and press the joystick in to re centre and that way I can compose really quickly.

    dscf0244-editX100F 1/35 SEC at f/2.2 ISO6400

    This camera is not much bigger than the X100T but it feels better in the hand and some of the buttons and dials are a much better design for my fat sausage fingers! The addition of the NPW126 battery gives you the extra power you need and gives the finger grip a more positive feel on the outside of the body.

    dscf0089-editX100F 1/250 sec at f/2.8 ISO12800
    dscf0074-editX100F 1/500 sec at f/2.8 ISO 200
    dscf0198-edit1/300 sec at f/2.8 ISO 200All the images in this post were shot on Jpeg standard setting and processed in Lightroom, the black and white images in Silver Efex Pro2 and the Colour images in Viveza 2. There was no RAW file converter available for Lightroom at the time so instead of using the well known workaround I just decided to have a go with the Jpegs and have been really impressed. I thought I would have a play around due to the fact I do like a change and because I will be shooting my year of colour this year, so need to explore all the processing options.

    dscf0349-edit1/250 sec at f/2.8 ISO 800One of the new sections in the menu is in Spanner Menu under Save Date Set-up. You not only have the option to Edit File Name like before but you now have Copyright Info. I used to shoot lots of stock and always found this option on my previous cameras very helpful as it saved me lots of time in key wording. The copyright section is great even though I shoot less stock these days I still have clients request copyright info to be added and file info to be changed to my name or initials. Even if you dont need this commercially it’s a great way to personalise and copyright your work.

    2017-01-17-14-31-58Go into Save Data Set-up
    2017-01-17-14-32-23Select Disp Copyright Info to get below screen
    2017-01-17-14-32-39Author and Copyright Info Screen
    2017-01-17-14-32-50Enter Authors Info
    2017-01-17-14-33-11Enter Copyright Info
    dscf0374-editX100F 1/250 SEC F/2.8 ISO 5002017 is going to be my year of colour and the X100F has inspired me to get my head down and start exploring colour like never before. Fujifilm have a beautiful RAF file and with this 24.3 MP sensor is in the X100F I can use the Xpro2 and the X-T2 with the X100F and keep some consistency in my year of colour. I have not really had any decent light when I have been out testing the X100F so can’t wait for the Spring to see how amazing this little camera will be. I love the simplicity of a fixed lens camera and all the X100 series cameras give you that amazing feeling of freedom.

    Now to pack my bags for another trip to Glencoe where I hope to take a few more shots this time without the worry of getting caught with the secret X100F  in my hands.

    dscf0036-editX100F 1/250 sec at f/4.5 ISO 320
    dscf0417-editX100F 1/250 sec at f/2.8 ISO 4000
    dscf0407-editX100F 1/150 sec at f/2.8 ISO 6400


  • Sat, 24 Dec 2016 00:05:14 +0000

    2017 a Year of Colour

    Way back in 2013 my project was A Year of Black and White and this was to explore my digital black and white photography in many ways and to see what I could learn in a year. I mainly wanted to learn how to process black and white files and try to find a style that would suit me. It was a great success but as time goes by and we get older our tastes change.

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    I did not think in 2017 I would be doing a year of colour !   I have been thinking about it for a while now and I have decided it’s time to give it a go. If I am asked to produce Black and White images for clients then I will do but the rest of my work will be shot in RAW and processed in Lightroom and possibly Viveza but we shall have to see how that progresses.

    I would love to be able to just use Fujifilm Jpegs but I am not sure they can give me the starting point I need for a simple workflow.

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    I could never have done this project with Nikon as the RAW files were such a pain for me to process and to find consistency with. I have noticed however the Fujifilm RAF files are almost where I need them to be be to create a colour style. I could be mistaken but this is what 2017 will all be about.

    So on the 1st of January 2017 I will start the project and it will finish on the 31st of December 2017, I have not quite decided where I am going to start putting the images apart from social media as I hate mixing black and white and colour so I need to think about this over the next couple of weeks.

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    I hope to come out of 2017 with a more consistent colour workflow and a more interesting colour style. I also want to explore Colour Street photography through my own eyes.

    Black and White Street photography has always been an amazing storytelling medium and I have always found colour quite annoying, but as I get older its growing on me.

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    My colour work has always been a bit abstract and a little loud and I have toned that down for people but that means I have fallen into the trap of pleasing the viewer and not myself. Its now time to change all that and work out what works for me.

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    I am quite looking forward to it and in a way it’s quite exciting and as with my Year of Black and White I will have the RAW files in 2018 if I need to process any images into black and white.

    One of my favorite Street Photographers is Saul Leiter and I know his style has inspired me so now I need to explore colour for myself and see where it takes me.

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  • Sun, 18 Dec 2016 11:37:05 +0000

    Why Fuji ?

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    I know what you are thinking, a Fujifilm UK Ambassador talking about Fuji but you need to take the time to get to know me before you make that judgement and also understand the way I have been brought up to know that I would not support a brand that I didn’t 100% believe in.

    My star sign is Libra, so I naturally take my time to make a balanced decision on my purchases most of the time and don’t jump from one brand to the other.

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    I am 54 years old next year so come from a generation that did not throw things away and wanted purchases to last forever and give value for money. I saved up for two years to buy my very first self funded camera and that was a Nikon Fm2. The research time that went into that purchase was probably about three months before the saving started. I ended up with a pair of Nikon Fm2s and I still have one to this day. So my brand choices are based on a lot more than you think. After that initial purchase I was then with Nikon for over 40 years. My purchasing decisions on any item are based on quality and longevity.

     

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    You’d be surprised to hear then that contrary to everything I know, I have recently made an error in my recent purchase of mobile phone moving away from Apple to Samsung and it’s got to be the worst move I have ever made! A recent comment on Facebook when I mentioned this was “but you need to take the time to go into all the settings and change it to exactly how you want it and at least with Android you can do that”.  Great comment but when I buy a front door for example, I want to go out and come back in, I want it to open and shut without having to spend hours adjusting it! Lets say I am struggling with this Samsung front door!  One thing Apple have got right is that they make a premium product that just works. Why did I change my phone ? I changed because my iphone 6 got slower and slower with every ios upgrade. Thinking that the answer was to purchase a new phone, an  iphone 7, I discovered that there was no 64 gig, I would have had to spend more money to get 128gig  and that annoyed me so I was persuaded by the sales assistant to try the Samsung S7. The S7 is fast, has a good camera and has a few good functions but the apps that I use most and the way my email works just aren’t working for me on the S7.  Hence  I will be moving back to an iphone as soon as possible and losing a lot of money in the process. Note to self, do my own research and make an informed decision, don’t change a formula that to date has served me well.

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    I rarely make many rash, mood driven decisions like that they are normally well thought out over a period of time. The decision to change from Nikon to Fujifilm I have shared before but for those who don’t know this is my Fuji story.

    I was getting fed up with the size of the DSLR system and also the massive price increases every year, I was shooting mostly with a pair of Nikon D3s bodies and a full selection of pro glass. These things are not small and to hold one in your hand all day takes it’s toll on your fingers and shoulders. I was hoping Nikon would eventually make something more suitable but as time went on I realised this would  not happen. My research started and I looked around for an alternative,  a new brand that would work for me and the way I shoot or a brand I could adapt myself to.

    This was not easy, I am old school and to me Sony and Samsung just meant Music Systems and not quality photography equipment. I looked at the Sony NEX one of the first ever models and it was getting great reviews for the camera and sensor but the lenses were not receiving the same feedback. I used to shoot lot’s of Stock back then and had to use cameras that were on the recommended list, the Sony was not on the list. I did notice a X100 on the list but the reviews were not putting the X100 in a good light. I continued to do my research for about four months after the X100 was released. I was back and forth with Olympus, Panasonic, Fujifilm and all the time had my fingers crossed that Nikon would bring out a decent Mirrorless Camera.

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    In the end I found an X100 on ebay, it was going at a reasonable price and so I purchased it. I was blown away by the image quality and the way you could produce such amazing black and white images in only a few minutes in Lightroom. I then realised the reviews and reports on this camera were all written by people that had not really given this camera a chance. It was not the fastest camera in the world, it was no match for the Nikon D3s but it did stop me in my tracks and make me slow down and think. I did have an X10 about this time but this did not work for me, another ebay purchase but I was unlucky enough to get one with the orb problem so sold it on.

    My Fujifilm Journey had really started and it was with the X100. Change came and the images I was shooting with the X100 were getting noticed more and more on Social Media and also through my projects more so than all my other work. It really is all about the image, it always has been and for some reason the X100 was forcing me to slow down and see the world in a different way that I can’t quite put my finger on, thinking  outside the box and producing more interesting work. I guess shooting Street as well it was such a small form factor camera that no one noticed it and this was a big bonus. I remember going out for two days in a row one with the D3s and one with the X100 and no one even looked at me with the X100, this was the breakthrough moment.

    My Nikon gear had some faults and was in need of a Service so on a trip to Wales I popped in to Cambrian Photography to drop off all my Nikon Gear to be sent to Nikon for a service. I got talking to Sarah about the X100 and she had the XPro1 in stock which I purchased the with the 18mm and 35mm lenses. I decided that if I could make this camera work for me I would sell all my Nikon gear and change brand.

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    I was shooting at the Liverpool International Music Festival at the time and took the Xpro1 along to give it a try ! It was slow and not a DSLR, I was shooting with  the Press pack and when I got back home all my images shot on the D3s were the same as the rest of theirs and the only difference was mine were black and white. But the few shots I got on the XPro1 that day had a little more thought go into them. That was it I decided to sell all my Nikon DSLR gear and move over to Fuji Mirrorless !

    Selling my Nikon gear also funded a trip to Venice. Not only was it simple for Airport security but I actually found myself enjoying my photography again. The XPro1 was slow to focus and not that easy to get used to, it was almost like going back to film but I was producing better work than I had for a long time. I was falling in love with photography again.

    It was through my images that Fujifilm UK started to take an interest in my work and I started to build relationships with some of the Fujifilm Team.

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    The Fuji X System being so new there was some serious gaps in the X System in terms of Cameras with a decent focus system for Wildlife and Sport and not a very large selection of lenses.

    The team in Japan were few in number and had already been shocked by the support of the professional photographers around the world for their product. So much so that they actually listened  to what we had to say. They actually took notes in meetings and made changes to the cameras and lenses based on what we had to say.

    I was impressed with the whole way Fujifilm worked with its team and customers and one night came up with the the idea of Fujiholics, one big Fuji family of like minded people that wanted to get together and talk about their love of the Fujifilm Camera Systems.

    As time went by I started buying more and more lenses and updating my camera bodies. I was then asked for more feedback by Fujifilm and eventually asked to be an X Ambassador and this was all down to my images and love of the brand. I had made a huge decision to move from Nikon to Fujifilm and also spent a lot of money changing over. I also had to play the waiting game for the X System to catch up with lenses and faster AF bodies.

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    It takes time for a big company like Fujifilm to notice you and even longer for you to build trust. I was asked to test and produce a set of images with the XPro2 before its launch and for this I would receive an XPro2 which came with my name on it! That was a proud moment for me. As a Fujifilm Ambassador I talk for Fujifilm and use exclusively Fujifilm cameras systems only. I am lucky enough to be able to borrow Fujifilm lenses and Cameras on short time loan and to be able to take their camera systems to events and talks.

    Working hard is an understatement at times in this industry, my friends can vouch for that and my Fiancee Jane has got used to the amount of time we communicate by text or phone from hotel rooms.

    I would not have it any other way, I love photography and I love my job it is the job I dreamed of as a little boy and Fujifilm have backed me all the way pushing me out of my comfort zone out on to the stages at The Photography Show and the support from the X Photographers has been outstanding these guys have become friends for life.

     

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    I do believe the Fujifilm XPro2 and now the X-T2 are both game changing camera systems and the new GF50s is also going to make the MF system more accessible for more pockets. I also love the Fuji Glass and still love to shoot with it and prefer it to my old Nikon pro glass.  I believe Fujifilm offer me the image quality I need to get the job done. It’s a bonus that the Fujifilm Team around the world are an amazing bunch of hard working people who are dedicated to the brand and that all the X Photographers are amazing people too. On top of that the Fujiholics are also a fantastic bunch of people and through the photowalks I have made some friends for life. I cant wait to see what Fujifilm have up their sleeves for the future and just love being part of the family.

     

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    Why Fuji? Well it all started with the X100 I wonder where we will go next…….?

     

     

     

     


  • Sat, 17 Dec 2016 01:05:39 +0000

    Why Street?

    One of the most common questions I get asked is “How did you get into Street Photography ? ”

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    I guess the simple answer is by accident, I didn’t  even know I was shooting Street until about eight years ago.

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    I was given my first camera about the age of eight and living in a big city I guess I have always taken pictures of people on the street. I have also photographed just about every genre of Photography there is. At one time I was known as the photographer that could shoot anything. I guess this label was true and I could shoot just about anything. It’s part of being a professional photographer you soon learn to shoot what will pay the bills and you get better and better as a photographer the more strange situations you find yourself in.

    I have always tried to separate my passion from my work and with some of the jobs I have had outside of photography industry this was easy. The trouble with being a professional photographer is how do you separate your passion from your day to day photography. This was a struggle at first especially as I am so busy with work but now I have found the simple answer. Only talk about and shoot what I am passionate about and turn the rest down !!

    So why Street Photography ? I guess it’s all about people watching. I have always been a people watcher, every occupation I have ever had, I would spend my lunch breaks and spare time watching people in towns and cities.  This then turned into trying to capture those special little moments as with the right light. I shot a lot of people in the street and most of what the images were bland and boring and did not tell much of a story although I found it relaxing and great fun. I did get through a lot of rolls of film and did not have a lot to show for it, but it got me out in the fresh air.

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    I have spent quite a bit of time shooting portraits and headshots and spent some time shooting glamour in a studio and found that type of work where you set up the shot with perfect light and perfect people to be too contrived. I wanted more excitement.  Instead of using the holy trinity of photography Light, Composition and Moment in the Studio I wanted to go out and look for it on the Streets. Quite mad you might think and yes at times I get very frustrated by the simple fact there is no light, I cant get the composition right and the moment never comes. This was compounded  by the fact I am a Candid Street Photographer so will never compromise and set up a shot. I can’t change the dynamic in the scene it just doesn’t sit right with me. I have thought about it many times when working on project for big companies but just can’t do it.

    I have shot Candid Street for years without knowing that it was Street Photography, the image below was part of my early windows project back in 2009 in Tunbridge Wells. It was a couple of years before this image was taken that some of my friends started calling me a Street Tog and I did not take any notice. I just thought they were naming me for what I liked to shoot. But the name started to stick and make me wonder so I started looking in to Street a properly around 2012-2013 but after looking at some of the amazing work of the masters felt my work was just ordinary.

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    However I decided to read up on Street Photography and check out the masters of Street and other modern Street Photographers. It’s about then I worked out I was probably a Candid Street Photographer. In 2013 I did a ‘Year of Black and White’ project and off the back of the project I was asked to do some talks about photography and from there the workshops came and I started teaching Street Photography and Black & White editing.

    The funny thing is at the time I was still not sure what I was doing was right !! Then a friend of mine gave me a book by David Gibson The Street Photographer’s Manual   This was a breakthrough moment as I agreed with 95% of the book and then realised this was how I was teaching so thought to myself I must be doing something right ! Thanks David for writing a great book and Elaine for giving me the book.

    I still don’t see myself as a Street Photographer yet, I feel I have a long way to go and one day hope to finish a project that I am really happy with and take one amazing Street image. I guess some of my work won’t be relevant for 50-100 years but I love what I do and can’t wait to get stuck in to my next project..

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  • Tue, 13 Dec 2016 14:07:09 +0000

    My First Camera
    dscf0034-editFujifilm X-T1

    One of the biggest questions most professional photographers get asked this time of year is “what camera should I buy my son or daughter for christmas”  we also get given a budget, some far too low but for the majority the figure is £500-£800. Below that figure there are some great little cameras about but they will not last long and the sensors are not up to helping your kids to progress, so in my view it’s a waste of money.

    These days everyone thinks in terms of the DSLR is the camera to aim for but this is not the case. People ask me do I get a bridge camera then get a DSLR in a few years time?

    dscf0133-editFujifilm X-T1

    People don’t understand how Mirrorless cameras have taken over from the DSLR in the last few years and just how great they are. I myself only use the Fujifilm X Series Mirrorless cameras for my professional work and most of my professional friends also use the Fujifilm X Series, not many people I know are using DSLRS.

    Most parents go in to a shop and say “I am looking for a DSLR” but in fact they are looking for a camera and they just call it a DSLR. The sales assistant then goes in to overdrive to sell a DSLR, the parents can’t afford it and they go home to buy something from Amazon.

    My advice this year has been to look out for great offers on the mirrorless cameras as this is a great starting point. You can pick up older models of the Fujifilm X Series like the X-T10 and the X-T1 at amazing prices and these camera bodies will be perfect for School, University and for any workshops or courses. The exposure triangle is on the outside of the camera and the sensors are a 1.5 crop the same as most of the DSLRs in there price range. This way instead of buying a compact or bridge camera that you throw away in  six months you have started to invest in a system. You can then go on to investing in lenses for birthdays and Christmas and eventually upgrade the body in a few years time.

    There have been some amazing deals on the X-T10 and X-T1 over the last few months in UK retailers and this is where people should look for a bargain. I was talking to a guy last week who did a trade in and got double cash back and got an X-T10 for £290 ! All he had to do was buy a lens of his choice, he got a 18-55mm with cash back and is now wrapping it up for his son for Christmas.

    I have used both of these cameras professionally and all the images on this blog were taken with these bodies and a variety of lenses. I mainly shoot Street Photography in black and white but in this post I have included a few colour images and some other genres of photography.

    So my advice for Christmas or birthdays is look for bargains in Mirrorless Cameras even if it’s last year’s model your kids will thank you in the long run and you wont have wasted money on a camera you will throw away.

    I bought both my Sons Fujifilm X-T10 kits with 18-55mm lenses last christmas and they both love the cameras.

    My first camera was given to me by my parents and it was a 35mm Film Camera that was the camera that made me fall in love with photography. I then saved up for two years to buy my first Nikon FM2, I used that camera for over 20 years. So I think it’s important to choose very carefully for your kids. If my parents had got me the wrong camera at the start I might not have fallen in love with photography the way I did.

    _mkh5548-editFujifilm X-T1 _mkh5940-editFujifilm X-T1 _mkh6048-editFujifilm X-T1 _mkh0327-edit-editFujifilm X-T1 _mkh1056-edit-2Fujifilm X-T1 _dsf5375-editFujifilm X-T10 _mkh9471-editFujifilm X-T1 _mkh9264-editFujifilm X-T1 _mkh7019-editFujifilm X-T1 _mkh3857-editFujifilm X-T1 _dsf0170-editFujifilm X-T10 _dsf5320-editFujifilm X-T10 _mkh4001-editFujifilm X-T10 _mkh4495-editFujifilm X-T10 _dsf5767-editFujifilm X-T10 _mkh6074-editFujifilm X-T1 _dsf4167-editFujifilm X-T10 dscf2762-editFujifilm X-T10
  • Wed, 26 Oct 2016 12:20:47 +0000

    Where is Matt ?

    I have had quite a few emails from people asking how they can find out where I am and what I am up to.

    I have to confess I thought I had that covered this with my website and the Fujiholics site and social media.  But I realise this is not as I thought, so from now on I will do my best to keep up my blog so people can find out where I am from here.

    I was at the HIP Festival in Hull a couple of weeks back and they have invited me back next year to show my work in their gallery at the City of Culture HIP Event as well as talk on the opening evening etc  So I will come back to you all on the date for that one.

    I am in Bristol this weekend hosting the Fujihoilcs Bristol Photowalk #FujiholicsBRIS16 this is one of the many free events held by the Fujiholics in the UK to bring like minded people together in the fresh air to share their passion for Photography. To network and share ideas.

    My next Street Photography Workshop will be in Leeds on the 12th and 13th of November there is one place left on the Saturday and a couple of the Sunday so if you want a place be quick.

    I will then be in Glencoe with Paul Sanders and Fujifilm UK on the 21st to the 25th November for the Fujiholics Landscape Workshop  There only 4 places left for this workshop and it will be the last Autumn or Winter Glancoe workshop we do as the next few years are just too busy.

    I wont bog you all down with to much all in one go but I will just mention the Venice workshop next year again with Paul Sanders there a still a couple of places left for this amazing workshop exploring Landscape and Street.

    I will update you all on future events from now on on Social media and by this blog.

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  • Tue, 04 Oct 2016 22:12:46 +0000

    Clifton Cameras #StreetLife

    When Clifton Cameras do a promotion, they certainly don’t do it by halves – The #StreetLife competition was no exception to the rule! Spanning many months and encompassing a variety of different events and competitions, the StreetLife promotion was HUGE! It’s also rather in-depth, so bare with me while I try to explain.

    One of the most exciting parts of the #StreetLife promo was the competitions. There were three different street photography competitions, each with a different theme and the chance to win an awesome FujiFilm X100T! There was also a prize for the overall winner, which was an all expenses paid trip to a European city to shoot street photography with yours truly.

    The first competition ran from March – May and the theme was shadows. This proved to be a really popular section and there were thousands of entries in total. After some debate, the panels of judges, myself included picked this fantastic shot taken by Jim Moody.

    (Image by Jim Moody)passing-shadow

    “This was the strongest image for many reasons, being shot from above made this image stand out from the crowd, the strong angles of the buildings added to the great composition of the shot, the arrow shaped shadow pointing into the darkness makes you think, but at the same time you want to know more about the woman standing with her arms folded, making this a great Street image.”

     

    Skip forward a few short weeks, and it’s time for section two competition which ran from early June through to mid August. This time, it’s the more difficult theme of Layers. Now, we don’t mean lengthy photoshop composition, instead we were looking for multiple things occurring in a single frame – David Goold delivered just that. A image titled “Hostage.Crisis” was picked as the winner of that round and won himself a Fujifilm X100T.
    (Image by David Goold)

    hostage-crisis

    End of August through to start of November was the third and final section of the competition. The theme – Red. A simple one, but we gave specific instructions that the images must be kept real and red was a crucial part of the overall composition. After much deliberation, us judges agreed on Vasile Buzdugan’s entry entitled “Nuns.”

    (Image by Vasile) red-winner

    My Photowalks!

    Alongside the Street Life competition, I ran a series of free photos walks open to anyone on the behalf of Clifton Cameras. To give everyone a chance to attend these were thrown up and down the country. The first one was on the 4th July in Bristol, the second was 5th September in my hometown of Liverpool and the third and final one was on the 1st November in London.

    THE WINNER

    This is where the story gets a bit complicated. The day comes to announce the winner, after much deliberation, us judges picked David Goold’s image titled “Hostage Situation” as the winner overall. We’d all had that image in our shortlist and came to the conclusion, this superb image deserved to take 1st place.

    The winner was due to be announced mid-november across social media and on the Clifton Cameras website. However, just days before, the unthinkable happened – The Paris Terror attacks. It was a huge shock to everyone and due to the nature of the image and the timing, we thought we would delay the announcement out of respect for the tragic event. We had also decided upon the european city we were going to visit, which coincidentally was Paris.

    One night in Paris.

    Skip forward to September 2016 and it’s time for David Goold to get his prize – An all expenses paid 1 on 1 street photography weekend in Paris.

    After leaving my home in Liverpool I headed for the Eurostar where I met David. We spent the journey chatting all things photography, the plan for the next two days and putting the world to rights. Interestingly, we both agreed upon the Fujifilm Fujinon XF 27mm f/2.8 lens was our favourite for Street Photography. Oh, and we both wished for an even faster version to come from Fujifilm in the future. Running through our kit, I had opted to use my FujiFilm XPro2 armed with the Fujinon XF 16mm f1.4 WR and a FujiFilm X-T1 coupled with the Fujinon XF 35mm f/2 lens. Meanwhile, David’s main set-up was the Fujifim X-T10 with the Fujifilm 18-55mm f/3.5-5.6 OIS MKII.

    It was about 1pm before the Taxi reached the hotel and we spent the journey with the windows open desperately thankful for the breeze. Once we were all checked in and sorted our first stop was that really tall building that looks a bit like the Blackpool Tower – I forget it’s name.

    We set a route from the Eiffel Tower down to Champs-Elysees, then towards Arc de Triomphe followed by a walk The Louvre and we finished our 14 miles trek in a beautiful area around Folie-Mericourt. By that time sun had started to set, so we ended up going back towards The Louvre for a bit of grub and a well deserved sit down!

    In those tourist areas it was really difficult to find quick pit stops to grab something small to eat and drink. Most of the places we stumbled across were subscribed to the laid back, French dining experience. We love that style on the right occasion but we had pictures to take and just needed some quick in and out sustenance. It was so hot and the streets were packed with tourists which meant most places had completely sold out of cold drinks. Thankfully though, we stumbled across a Starbucks along the way and was able to get some kind of delicious orange frappe creation.

    After a day of shooting some fantastic street photography and seeing a bunch of Paris’s finest landmarks, it seemed like a natural progression to head to a local french place for dinner. However, where we were, we couldn’t find a little bistro in sight. We ended up settling for an Italian, well, at least it borders France right? It turns out, the reason we couldn’t find any French places was because we were in fact in the ChinaTown, which explains a lot really.

    Lighting

    A lot of street photographers have strong preferences for certain conditions in order to give them that perfect light. For me though, I don’t feel that strongly about it – I like to work with whatever I have. Of course, harsh sunlight can be quite awkward to work with but I think that it sets the scene and allows us photographer to create a different ambience with the light we use in our pictures. Paris has something about it, although the sunshine was constantly bright, it was much more forgiving than I once though. I was expecting a lot of areas of blown out highlight detail and deep dark shadows, but the light on the street as a lot kinder than I anticipated. Perhaps it was the buildings, the positioning of the sun or just having a bit more dynamic range from the X-PRO2 sensor, it just worked out quite nicely.

    With all this said, the real recipe for a great street shots is decent light, a decent composition and a moment. Even in a great city like Paris, the moment is the hardest bit. There are colourful characters, interesting objects but it’s all down to that split second where everything comes good.

    DAY TWO

    HOT HOT HOT! Day two was yet another scorcher hitting highs of 38ºC at mid-day. We hatched a plan over breakfast and decided to take a Taxi to the Moulin Rouge followed by an exploration of the area. Climbing the stairs to Montmartre and wandering around the square along the beautiful cobbled streets was rather pleasant. I can imagine if there was a bit of rain the day before the reflections and the texture you would get from those cobbles would have been incredible, but of course, there was no chance of rain on this particular day. We searched the streets for a nearby Starbucks but came away unsuccessful as they didn’t do any icy frappe things. With that terrible news, we headed back towards the hotel to get our bags and also grabbed a light lunch in a local french place followed by a cold beer. For some reason, cold beer was all we could find. Judging by the general lack of cold beverages available, anyone would think that summer had come out of nowhere and suddenly surprised the shopkeepers of Paris.

    Our train back to the UK was our next stop and was leaving at 6:30pm, so we opted to head towards the train station after lunch picking a great location to concentrate your efforts before heading home. The area is known for it’s colourful characters and it the location is easy on the eye – or should what be sensor?

    Well, there’s not much else to say here other than to express my thanks to everyone involved with this exciting project.

    We reached out to David Goold for his take on the trip – Here’s what he had to say.

    Audrey Hepburn said that “Paris is always a good idea” – but in thirty-eight degrees Celsius?! It had been forecast for a week but the reality of a high summer heatwave in France’s capital was suddenly with us. “Welcome to Hell!” was the greeting from the African taxi driver at Paris Gare du Nord as we began our Big Adventure. Fortunately, I had decided to travel light from Scotland; I brought with me just the X-T10 and the 18-55mm zoom for my photo workshop with Fujifilm Ambassador and pro street photographer (and now good friend), Matt Hart.

    Two full days shooting ‘street’ in that city – in that heat – needed serious and careful attention to health and safety. Drenched in Factor 50, we paced ourselves from the start and must have each consumed a litre of water every two hours whilst pounding the pavements during our two-day stay.

    But that city rewarded us with golden sunlight and inky black shadows, such elegant architecture and characterful citizens and visitors. In that special light, haute couture red dresses and heels had us, if not running, then staggering briskly to capture the decisive moment at those distinctive, striped street crossings in Le Marais.

    I suppose we each develop our own technique, learning from our mistakes, but I had never experienced the technique of a professional street ‘tog. It was a revelation to watch Matt in action… to watch his pace change as he spotted an opportunity and to keep out of his way while he ruthlessly sought the decisive moment. And I hope I caught a few of those myself whilst learning to sharpen my eye. I suspect Matt features in many of them and I’m very happy about that – some wonderful memories of our journey to Hell and back.

    For making it all happen, big thanks to Clifton Cameras, Fujifilm UK but most of all to Matt. We had such a blast. Let’s do it again soon! But perhaps in December this time, please?

    (Images by David Goold)dscf8247_dg

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  • Thu, 15 Sep 2016 16:08:26 +0000

    Fujifilm X-T2 + 90mm f/2

    dscf4793

    I read in the week that some people do not trust the reviews by the Fujifilm Ambassadors.

    I started to question my own thoughts. I decided however that I have always given an open and honest view of the Fujifilm X series. I am not one for long reviews anyway so most of my thoughts and feelings about the X Series are from hands on demonstrations and talking to people out and about on the streets on workshop days and events.

    I have also never been the pessimistic type and always see the good in all the gear I use and only use very limited functions on the camera so it’s not easy for me to start pulling something apart I am passionate about.

    I was asked by Fujifilm UK to be an Ambassador because of my work and because I had already adopted the Fuji X Series in to my workflow and was enjoying the refreshing change from DSLR to mirrorless. So I was already a fan you could say, but if you know me you will know I am quite blunt and honest about most things and if I did not like the X Series I would have moved to a different brand by now.

    My blogs are few and far between and as you all probably know by now I am dyslexic and find sitting down to write a blog as about as exciting as sticking pins in my eyes.

    Kevin Mullins has by far the best blog on the Fuji X system that I have seen as a Fujifilm Ambassador and he gives a real honest review. Although Kevin and myself both love the X Series, we have both pointed out issues and faults in some of the past X Series cameras and lenses and say so in public.

    When I moved over from the Nikon system to X100,  XPro1 the 18mm and 35mm lens after using a Nikon D3s, I was under no illusion the Xpro1 was better I just wanted a change and I was making a leap of faith that Fujifilm would catch up with the mirrorless system and make an amazing camera one day to match their sensors and lenses.

    Well I am so glad I took the leap of faith, I have been using the X-T2 now for a couple of months and can honestly say it’s a game changer. If this is what they can come up with in 5 years, I can’t wait for the next 5 !!!

    I am not going to go into all the technical mumbo jumbo as most of you know I just use the exposure triangle and go out and shoot. So I will leave you to read Kevin’s review or even better take a look at and independent review like Cameralabs Gordon always gives a fair and honest review on most camera systems and lenses.

    For me though the proof of the pudding is in the images and the X-T2 is stunning not just the images but in its handling and focus speed. I still prefer the XPro2 for Street photography but that’s just because I love the rangefinder style of  camera for shooting people in my candid style. But the X-T2 is a killer camera for my Gig and Event work as well as my Landscape work. They are diferent animals as far as I am concerned.

    Today I went out for a quick meeting in town, I decided to take the X-T2 and one of my favorite lenses the 90mm f/2 and see if I could grab a couple of Street shots on my route.

    I remember shooting this image below a couple of weeks back with the same set up and wanted to see if I could shoot a moving target with me moving and the focus keep up.

    dscf5789-2X-T2 90mm f/2 Iso 400 1/1250sec f/4

    I walk at quite a pace when I am out and about, even though you can learn to compensate for slow autofocus by standing still zone focusing if you need to. You don’t need to do this with the X-T2 this thing nails the shots, that some of the previous X Series bodies might have missed. The XPro2 I would say is just as good but the the X-T2 gives you a little more confidence. It just has that positive feel about it.

    The next two shots with me walking towards the two subjects at quite a pace and just lifting the camera up to shoot as they walked towards me.

    dscf6469X-T2 90mmf/2 Iso200 1/350sec f/4 dscf6453X-T2 90mm f/2 Iso200 1/250sec f/4

     

    I was blown over when I reviewed these images over a coffee before my meeting. BOOM was the word that came in my head. I thought wow Fuji you have done it you have made the camera for all the people that doubted the Mirrorless System.  I am quite sure this camera is going to sell like hot cakes. I will just say that this 90mm lens is amazing on this camera. I love to shoot wide and long when I am out on my own and this lens has just the right reach to compliment the 16mm f/1.4 out and about.

    Someone commented the other day that I used to sing the praises of the 27mm and the X-T10 and thats very true and I still have the 27mm on my X-T10 and there it stays.

    I have to spend some time getting used to the new Cameras Fuji asks us to Test and the X-T10 still has a big place in my heart and a small space in my camera bag.

    It all comes down to the right tool for the job and I am lucky enough to have a large toolbox to select my tools from.

    At the moment as I write this the X-T2 and the 90mm f/2 are a perfect match for Street style candid portraits…

     


  • Rated:

    Paul Chambers

    on May 25, 2015

    Very interesting read I recently got into street photography and find it great fun I like the uniqueness of the image some wonder shot here .Great inspiration thanks for sharing

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